I   am a British choreographer and performer, currently living between UK and Belgium and working nomadically.   My work, which is usually for non-theatre contexts, foregrounds ideas about relationship, agency and attention and explores embodied interactivity and game-playing.   In recent years I have been commissioned by Brighton Festival, South East Dance, AIR Studio/ Islington Borough Council, Siobhan Davies Dance, Big Dance, The Hepworth Wakefield and Gi20.   Between February and March 2016 I was in residence at Villa Empain, Brussels where in June I presented   Satelliser: a dance for the gallery   in the context of Répétition, curated by Asad Raza and Nicola Lees. In September 2016 I was artist in residence at  Brandwatch as part of Brighton Digital Festival  and through partnership with South East Dance. In January 2017 I showed   screensaver  (1, gallery version)  at Villa Empain in the context of Décor, curated by Asad Raza, Dorothea Von Hantelmann & Tino Sehgal.  I have recently completed two choreographic commissions to showcase artists' jewellery pieces (Maison Boghossian and Alexander Calder).  I also write, teach, sing, beatbox, work as an outside eye for other's processes, assist, produce, collaborate. As a performer I mainly work with Tino Sehgal, most recently at Fondation Beyeler in Basel dancing the solo  Instead of allowing something to rise up to your face dancing bruce and dan and other things 2000   Please keep scrolling for more information on the avenues of my work.  Image:  Christopher Matthews
       
     
dance and technology
       
     
       
     
Activating jewellery and other commissions
       
     
 I   am a British choreographer and performer, currently living between UK and Belgium and working nomadically.   My work, which is usually for non-theatre contexts, foregrounds ideas about relationship, agency and attention and explores embodied interactivity and game-playing.   In recent years I have been commissioned by Brighton Festival, South East Dance, AIR Studio/ Islington Borough Council, Siobhan Davies Dance, Big Dance, The Hepworth Wakefield and Gi20.   Between February and March 2016 I was in residence at Villa Empain, Brussels where in June I presented   Satelliser: a dance for the gallery   in the context of Répétition, curated by Asad Raza and Nicola Lees. In September 2016 I was artist in residence at  Brandwatch as part of Brighton Digital Festival  and through partnership with South East Dance. In January 2017 I showed   screensaver  (1, gallery version)  at Villa Empain in the context of Décor, curated by Asad Raza, Dorothea Von Hantelmann & Tino Sehgal.  I have recently completed two choreographic commissions to showcase artists' jewellery pieces (Maison Boghossian and Alexander Calder).  I also write, teach, sing, beatbox, work as an outside eye for other's processes, assist, produce, collaborate. As a performer I mainly work with Tino Sehgal, most recently at Fondation Beyeler in Basel dancing the solo  Instead of allowing something to rise up to your face dancing bruce and dan and other things 2000   Please keep scrolling for more information on the avenues of my work.  Image:  Christopher Matthews
       
     

I am a British choreographer and performer, currently living between UK and Belgium and working nomadically. 

My work, which is usually for non-theatre contexts, foregrounds ideas about relationship, agency and attention and explores embodied interactivity and game-playing. 

In recent years I have been commissioned by Brighton Festival, South East Dance, AIR Studio/ Islington Borough Council, Siobhan Davies Dance, Big Dance, The Hepworth Wakefield and Gi20. 

Between February and March 2016 I was in residence at Villa Empain, Brussels where in June I presented Satelliser: a dance for the gallery in the context of Répétition, curated by Asad Raza and Nicola Lees. In September 2016 I was artist in residence at Brandwatch as part of Brighton Digital Festival and through partnership with South East Dance. In January 2017 I showed screensaver (1, gallery version) at Villa Empain in the context of Décor, curated by Asad Raza, Dorothea Von Hantelmann & Tino Sehgal.

I have recently completed two choreographic commissions to showcase artists' jewellery pieces (Maison Boghossian and Alexander Calder).

I also write, teach, sing, beatbox, work as an outside eye for other's processes, assist, produce, collaborate. As a performer I mainly work with Tino Sehgal, most recently at Fondation Beyeler in Basel dancing the solo Instead of allowing something to rise up to your face dancing bruce and dan and other things 2000

Please keep scrolling for more information on the avenues of my work.

Image: Christopher Matthews

dance and technology
       
     
dance and technology

Image: still from screensaver project experimentation with Erik Axel Eggeling at 8th Choreographic Coding Lab, Amsterdam.

More writing about this aspect of my practice coming soon. In the meantime please watch recent documentation of the screensaver project at MOCO (Movement Computing conference, Goldsmiths June 2017) with sound/ live coding from Jamie Forth.

In July I will be part of a roundtable discussion/ practice sharing called Choreographic Entanglements in the analogue and digital at Kingston University.

You can read about my residency at Brandwatch as part of Brighton Digital Festival with South East Dance here

And also watch Dance 4's  A Conversation Place #8 where I talk to Theresa Caruana

       
     
As performer/ interpreter

As a performer I work mainly with Tino Sehgal and have interpreted the following works:

These Associations (2012) Tate Modern turbine hall, July-Oct 2012 and Palais de Tokyo Oct-Dec 2016.

Yet Untitled (2013) Venice Biennale, May-Nov 2013; Kremms am Donnau, Austria, April 2013; The Stedelijjk Museum Amsterdam June-July 2015; KIASMA Helsinki September 2015; Leopold Museum Vienna, 2016; Palais de Tokyo Oct-Dec 2016.

Instead of allowing some thing to rise up to your face dancing dan and bruce and other things (2000) Leopold Museum Vienna, July-Aug 2016; Palais de Tokyo Oct-Dec 2016 and Fondation Beyeler Basel June-July 2017.

Video: Stedelijk Crew Report: Superfan van Tino Sehgal / Tino Sehgal's "superfan" talking about her experience of visiting us interpreting Yet Untitled. Jes visited us nearly every day and I place this video here in lieu of documentation.

More coming soon.

 

Activating jewellery and other commissions
       
     
Activating jewellery and other commissions

I create bespoke works and interventions for specific situations and briefs, drawing together a team of international collaborators. I have recently completed projects for Louisa Guinness Gallery with the jewellery of Alexander Calder at an event at the Natural History Museum London (October 2016) and with Maison Boghossian for NOMAD Monaco (April 2017).

 

 

Photo: Alexander English for Louisa Guinness Gallery/ Bosse & Baum.